Oscar Martin [noish] winterthur 1977

Bachelor of Fine Arts in Sculpture and New Media ( UPV ) . Sound artist, independent researcher and programmer. His artistic practice could be understood as a “ polyhedric ” device of knowledge that hybridized and confluenced art, science and technology from an experimental, unorthodox and critical approach. His theoretical and practical research focuses on the phenomenon of “ emergency ” and “ self-organization ” in complex, decentralized and chaotic systems ( natural or artificially simulated ) and its implementation in a context of artistic creation. From the sound aspect of his work Martin propose an active listening and expansion of ours perception through the physical-acoustic experience of emergence behauvior in the limits of the chaotic and order structures.

Martin is also behind MetaminaFNR a streaming platform and he is editor of the magazine
UrsonateFanzine about aural culture and experimental music. He has conducted numerous workshops on creative and open source tools ( FLOSS ) about generative systems and computer music.

In 2011 he received the Fundación Phonos grant for his project {RdEs} Sonic Emergency Distributed Network a Sound-Light Installation. Prize at Festival “Les Bains numériques”, Dance and new media, Enghien, France. Cía. Aniara Rodado, 2011. And in 2012 VIDA 14.0 grant for the project SXK Turing Test in collaboration with the collective Quimera Rosa about sensitive interaction and biofeedback.

His art projects have been exhibited at various venues such as Niakaza Space, Sudafrica, La Batie Festival de Geneve, Switzerland. Medialab Prado, Spain. LaLaboral, Spain. Festival de la Imagen de Manizales, Colombia. Piksel Festival, Norway. Electropiksel, France. CECN, Belgium. Museo Reina Sofia, Madrid. Sucked Orange Galerie, Germany. Noise = Noise, England. Maús Habitos, Portugal. III Pure Data Convention, Brasil. Arteleku, Spain.